Conversations
Remembering to never forget the olives that you fed me by Samia Sayed was created as part of the Firstdraft Writers program, 2019.
first words
you're like a lullaby that helped me sleep through the nights of a warzone
even though you were only meant to play in the morning to make me feel alive again,
with the smell of fresh zaatar and bread
my muse,
i still remembered them,
they remembered me,
every time i hear your voice,
every time i listen to your music you make my body move in away that speaks to,
those who control,
let me go and ill promise you a forgotten task
my friend promised me
what was polite was what you remembered,
my whole life i've cried,
in one tear my life changed,
i counted all the names and erased them,
good luck trying to sleep without the milk that birthed you
i don't know who's it is,
don't forget the names that erase you
i am tied to this language through the nights and mornings of weeping how you'll never be erased.
i met your name sake and she had no idea who you were.
Remembering to never forget the olives that you fed me, 2019 is a participatory installation which invited audiences to engage with an offering of written and spoken word that unpacks trans-generational exchanges and resistance against the erasure of non-anglo phonic languages. This work is a portal into negotiations of language as a first generation migrant between multiple worlds set against the backdrop of a culture that heralds multiculturalism but denies multilingualism. This work was developed with the support of Mona Sayed and Dj Gemma.
Images of presentation at Firstdraft by Justine Youssef
Samia Sayed is a contemporary artist and writer, currently living and working on Darrug and Gadigal land. She works with text, sound and performance and through this explores what she has lived through and witnessed to be forms of resistance within domestic, religious and cultural spheres.
Conversations
Remembering to never forget the olives that you fed me by Samia Sayed was created as part of the Firstdraft Writers program, 2019.
first words
you're like a lullaby that helped me sleep through the nights of a warzone
even though you were only meant to play in the morning to make me feel alive again,
with the smell of fresh zaatar and bread
my muse,
i still remembered them,
they remembered me,
every time i hear your voice,
every time i listen to your music you make my body move in away that speaks to,
those who control,
let me go and ill promise you a forgotten task
my friend promised me
what was polite was what you remembered,
my whole life i've cried,
in one tear my life changed,
i counted all the names and erased them,
good luck trying to sleep without the milk that birthed you
i don't know who's it is,
don't forget the names that erase you
i am tied to this language through the nights and mornings of weeping how you'll never be erased.
i met your name sake and she had no idea who you were.
Remembering to never forget the olives that you fed me, 2019 is a participatory installation which invited audiences to engage with an offering of written and spoken word that unpacks trans-generational exchanges and resistance against the erasure of non-anglo phonic languages. This work is a portal into negotiations of language as a first generation migrant between multiple worlds set against the backdrop of a culture that heralds multiculturalism but denies multilingualism. This work was developed with the support of Mona Sayed and Dj Gemma.
Images of presentation at Firstdraft by Justine Youssef
Samia Sayed is a contemporary artist and writer, currently living and working on Darrug and Gadigal land. She works with text, sound and performance and through this explores what she has lived through and witnessed to be forms of resistance within domestic, religious and cultural spheres.
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Runway Journal is produced by a voluntary board and pay our contributors above industry rates. If you have found some delight in this content, please consider a one-time or recurring monthly donation.
Runway Journal acknowledges the custodians of the nations our digital platform reaches.
We extend this acknowledgement to all First Nations artists, writers and audiences.
Runway is supported by