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Queenie Bon Bon
Published November 2020
June 7, 2019 09:02:13
• Brisbane: Domination & fetish
All the brothels are haunted and now the internet is too. Haunting is one of the most common paranormal beliefs around the world, many believe almost every town and city has at least one haunted place - although I have worked in many offices that had their ghostly quirks - where maybe one would turn the lights off and the office would decide that, no - that lights would in fact be remaining on.. Places that would frequently host unexplained temperature changes and host unusual scents - although actually those unusual scents were actually maybe more explainable than the other phenomena.
I feel less what I am saying is that every brothel should be in the Horny & Haunted Ghost Watchers Guide - but more that since March, the spaces which have often hosted sex work have become shells - their form and function seems so unstable. When spaces lose their meaning: What happens to their use?
Success in space use is significantly correlated with knowledge about it, providing further evidence that conceptual knowledge plays a key role in its spacial use. What do we know about this emptiness that these spaces hold? I know my work places too often have such coded meanings. How do we read them in this time - what is a brothel with no whores and whores with no brothels?
think of the lockers filled with pleasers and g strings and hello kitty body spray - that have not been touched since March. I feel sad for them, to be in a place made for touch and connection and there they are - alone and abandoned. I think of the prophylactic moving closer to expiry. They never got to fulfill their destiny. I think of the unopened curtains and the dusting floors. I think of aging snacks left behind that will become a whole new thing, maybe as it sits in a lorna jane sports bag in a locker creating dream conditions for food decomposition. Allowing microbe and enzyme activity to be optimized, making food energy more available to the bacteria and fungi. How nice.
A mini blue glass stone that resembles a lumpy heart that once delicately sat on the window frame,and had the sole job to decorate my brothel. This was the year lump heart lost its home, and job of fanciful living.If water and vermin are the greatest enemies of one’s collectible papers longevity, a bin is maybe an equal aggressor to a parlours trinkets in this time. Instead of becoming landfill I gifted the heart to a plant that showed little will to carry on. It was a plant that I said I loved in the shop. I brought it to my office where it was became a crime scene accessory, a beautiful fern for this sweet suburban massage parlor a magical fisting palace…In the time between my office being a pop up brothel and then with the global pandemic just making it an empty building with not a single whore interfering in the building’s meaning, the fern started to decline. I understand with fern care many of us will wonder What am i doing wrong? Why are the fronds now so brown and dry. Is it dying? Can i save it?
My dying plant that sat in my office for a month before it was reclaimed, coaxed back to life. Now it lives a new life, an artifact of an old world . What will become of office trinkets? Will they be museum pieces from the Befores?
Where we remembered this is how we fashioned these special places. They were beautiful.
I picture all my old offices - my mind’s eye draw portraits of the past, but I know it is not just the empty brothels that house these ghosts - the internet is a playground for a modern ghost story to be written in 0s and 1s. [1]
While many of us have been making banana bread, going on anxiety benders or walking round the block for our allowed 1 hour - there is another covid hobby - the lesser advertised activity of building escort directories during times of financial adversity. This is not the first time I have witnessed this hobby grow. The last time I witnessed it with such gusto was 2017, when FOSTA/ SESTA the law designed to stop sex trafficking was passed. A Law that did nothing to assist workers safety - just remove our visibility - the idea that if we can not be seen we will be gone. A law moved through our very bordered world in a way that our bodies can not.
A Law that took down Backpage, an advertising platform, and many other vital resource for sex workers worldwide.
Although now it is not the removal of an advertising platform that has caused the precarious nature of this time, but the knowledge that workers have lost the ability to work freely that created a breeding ground for these new hobbyists. [2]
Although it is not the removal of an advertising platform that has caused precarious nature of this time, but the precarious nature of this time has created a breeding ground for these new hobbyists.
In mid march I had taken down what I thought were all my ads, in knowledge that one could be fined for working, and that the police - who we know have no real job in the space of attending to the wellbeing of the people, had taken it upon themselves to play entrapment. In a type of non-consensual role play game where they pretend to be a client (™) and then if you say you’re not working they then try and get you to agree to working - maybe by offering you more dollies ect. they love to play their fun games of criminalising survival.
Removing my ads was what I believed to be an act of being a future friend to myself. Everyone has the right to be forgotten on the internet . I try and make myself disappear from the www, And yet by the end of that week, 6 people attempted to make booking with me - all claimed they had no idea about covid - had not heard of it, one claiming they live out of reception and had just driven to the city to see me with no prior contact - I’m not the type of prostitute you wildly drive into the city for a lustful moment with - more the type who is called when a gent is really despo for someone insert a travel mayonnaise jar sized object into his anus - but without too much chitty chat’.
I wonder if this is our dear friends the horror hobbyists at it again. Pop up sites appear in hope that they will become the new Backpage / Scarlet Blue - they usually do what I guess is technically known as reposting - except not like cute, in a like and repost way. I know strange technological glitches are another sign of hauntings - but maybe this praxis shows us something more terrifying in our social sphere than in a metaphysical space.
The week after those wanting to see me increased from 6 to 27 - Mostly in Canberra and Brisbane - I also get offered 10 toilet rolls for a blow and go - I wonder if this is the new world, or at least the start of a weird movie, like that guy who swapped a paperclip for a house - The whore who swapped a bj for 10 loo rolls, which are now so inflated in value, what could come next? A 100 avos of toast? I decline the offer - ending this straight to tv movie idea.
I do a google image search for my ads, and find that my ads are no longer really my ads. My photos and phone number are still the same, but the text is different - I’m much nicer in these ads, they have removed my bossy tone and replaced it with a few simple lines. I am available to be your girlfriend in many cities. Which feels very different to the real me. I’m not in the same conversation with my body in this non-work time. A winter under the blankets and I don’t know what is happening underneath.. Nothing fancy. Or maybe the vessel is all always fancy. [3]
There are some other ads with my pictures but different numbers - like this holographic version of me has moved on from being a one-phoner, so smart, like I am building a whole workforce of myself.. I see myself reflected and replicated over and over. I wonder if I will ever be able to work in the ways of the old world. I wonder if these holographic versions of me will keep evolving, I wonder if these versions of me are also chronically ill - Is this version of me in pain in the same way that I am in pain? I often think that when my body is asking me to remember it, to be with it. If I am a digital version of myself, who will decide what to remember and what to forget? [4]
- or if these versions of me dont bother with that sort of palava- what kind of super whore will I become? We are all becoming new things. We are re-learning sickness, although for many this has been learned over and over, re-learning to wash our hands, that our touch now holds the question of sickness and contention. For many it is not new that care is messy. Many of the outbreak sights are signs of care. In the height of the AIDs era, when there was no effective treatment beyond prayer and massage - when sharing bodily fluids, even saliva, or even touching a person with HIV brought on hysterical fears. What spaces does our fear now occupy? Will we re-learn touch, in an act to unpack fear about the body?
In a movement of how we inhabit we have churned through a century where hospitals for infectious disease, old mental asylums became replaced by clusters of luxury apartments and offices. I think of the conditions of care that existed in these spaces. When we talk about dirty work, we are rarely talking about care work. Our leaky viscous bodies pour into each other [5]. The work of tending to another’s body that is weighty like few others. The expectation of who will undertake these tasks out of love and obligation, has fashioned a legacy of understanding the work as “natural” part of feminized labour . We can see how the role stigma played in HIV/AIDS care, how it created an Intersection of Care and Activism. Care is messy. So many of the COVID-19 outbreak sites have been sites of care. I did not have to learn to understand that the trace selves of others stick; they cling to us. I did not have to relearn that I should rub my hands together, using one hand to rub the back of the other hand and clean in between the fingers. Then repeat with the other hand. I have known about the microorganisms found on one’s skin. I know about the normal flora (how cute does that sound).
These floras are usually deep-seated in the epidermis, are not readily removed and do not readily cause infections. But the transient microorganisms, those little travellers—they are the organisms that are not part of the normal flora and represent recent contamination, usually surviving for a limited period of time, and which includes most of the organisms responsible for cross infection. They are easily removed by a scrubby hand washing technique. I think of how others shed their microorganisms, as I rub my hands together, cleaning in between my fingers and bidding farewell to lube, piss, blood, spit, cum and/or other liquid that may have been a part of my activity.
In stage 4 lockdown, what are the new categories of what things can be - Thinking of all Buildings as shelter, a blurring for past categorisation. Compensating state failure as we try and work it out. But maybe language is not where this get works out.
This idea that Art is never finished, it is just abandoned, the abandoned building feels like a making of a ghost town, an art of abandonment. What are the things around us that feel much more susceptible to change in this time. One’s attachment to things being one way feels limiting in our understanding or change.
When I see that I have written vital resource - I think about why there is such scarcity in the resources we have - that it becomes strange that we are not talking about why we have so few resources and that is why we are scrambling to reshape what we are given.There is a lacuna, in literature and discourse, on the intersection of borders and identity, in both the analogue and digital realms…I think a lot about the writing that is created to be constantly reshaping and renavigating the spaces we are in. Queers and Sexworkers shaped the internet - really we did so much to make the internet lovely. I know this is real: the spaces we improve are the spaces that we occupy. We are also in a time where the platforms that are used by workers as safety tools, and spaces where we build community are being removed. This removal gives spaces for others to create narrative about our lives and erode what we have built.
Once while I worked at the now defunct dendy peep show on coverlid place in china town - While having a delish ciggy and smoothie break and only just wearing an XL - tshirt over a bikini with thigh highs,. a chance a joyous meeting with a co-worker and her child- the sweet tot asked me if I drove a jet ski. Imagine looking so fancy that a child believes you must be the kind of person who would drive a jet ski. A pink switch and diamante collar and You can look like the type of person that drives a jetski to a 6 year old. I don’t even have my drivers licence, Like no part of it, not even my L, I have only even done one practice drive.. Her mother and I would really enjoy some cheap speed on quite mondays, that was traded for a bj in the peep show. She would show me her experimental Calisthenics routines - a treat - Our joy to be with each other, interrupted only by our bookings. These moments of being in our bodies and other peoples were never standardized. For a moment each Friday my reg would begin our time together with a lil empting his spermies into a martini glass for our end of work drinks, I would sniff my drink and confirm what a wonderful heady bouquet it had. He was a good boy. Delicate non sips like at a child’s tea less tea party. I may never be served such work knock off drinks in a bikini from savers again - While right here right now plays in battle with the porno blasting from the shop floor. I probably will never be thought of again as the kind of person who might probably drive as jet ski. That was 9 years ago - But calculating how far in the past something was - feels like its needs a more accurate barometer than linear time., It was in an age when I used to use natures pocket to carry weed over borders - now i think it is another pocket where I hold grief from pain.
While creating work about my body - I have wondered if I create work about being ill or trauma , which I do - over and over - does that mean I am invested in these being part of me for structure?
Although I know many things live on without a body, We’re never not in bodies: that’s just part of navigating our journey .EXTRACT FROM STORY FROM 2013// THINKING ABOUT A BEFORE TIMES OF BEING IN BODIES//He is despo for me to pee on him - I had just wasted a wee, Wasted is a funny way to look at it.. I would love to sell every bath room experience, but I simply don’t have the market not management skills to allow this to be a current reality.. A lunch time moment the week before christmas, he drinks a larger and watches porn in the crazy horse theater - I leave him - we are to separate for moments to allow myself to rehydrate in the back room.. and I sit by the heater next to the lockers and drink a very not so delishy two liter bottle of tap water and half a barocca, its for flavor and color.. I lie on the floor, my stomach hurts.. I’m ready.. I walk through into the cinema.. Then into the mini private dance room, I’m the boss, not like Bruce, but he is going down.. we are in play, I push him on the floor, all fours.. his bag spills open, a pre opened beer makes a pool on the foul carpet that no one should come in contact with without some concern for consequence - and he licks beer off his hand, and then the carpet….a carpet in a porn theaters have there whole own culture, the fluids that merge and cohabit are endless, I can not watch as he invades this world with his licky licky tongue … I undress him.. I’m ill prepared for the situation at hand.. I had just focused on the vast consumption of liquid to create this dream situation and had forgotten to consider floor coverage. I make him lay his jacket and t-shirt and shirt like the base of a camp fort. He has nothing but tighties on. He is beautiful. I make him beg for treaties…. We have begun Beyoncé’s guides us, soothing words says Every night I rest in my bed With hopes that maybe I’ll get a chance to see you When I close my eyes I’m going out of my head Lost in a fairytale, can you hold my hands and be my guide?I hold his hands in mine and spit in his face, and orange splattering, my care tinted by the dissolvable aide..My guilty pleasure, I ain’t going nowhere ..Baby ‘long as you’re here, I’ll be floating on air..He rolls over.. I get stage fright… an arid and barren landscape.. stomach is round with water…. He is opening his mouth wider as if that was the problem.. and my body opens up and I release into him, it is glorious, the joy of ones first trip to water world, every one wants to get wet and wild, one glorious constant gushing… I engage some pelvic floor exercises and close off… this is met with wonderful wonderful wonderful, more more…. I am not at a point of advancement in my mind pee connect where I can gage how much more is left.. definitely some, but that’s not really a unit that has been standardized at this point. I step on his dick, I feel it getting hard.. I squat over his face, it’s the B side, it’s a remix.. several gushes, punctuated with silence.. drip then shake.. he rolls over and starts rubbing his dick on the floor, he is totally free styling, this is an orthodox move.. So mystical, I love it.. Judges go wild, all authentic movements, we didn’t see this coming.. a reference point that is organic, it flows through him, nature is a language I can not always read.. he is done..a blow but no bow.. I wish flowers had been thrown from the sideline we stand face to face, the room has the vibe of a storage closet.. will he remember this? Do I need this to be special for always? I shake his hand, business like formality, I want a different movement, secret handshake..I spray a rancid air freshener, I hold it high above my head, like a horn, two pumps fill the room with essence of floral death..it like a smudge stick for the spiritually void, this never happened, I never saw you I never, never peed on the floor. Good bye, good luck, god speed, god bless, blessed be, be well, well done, well played, peace out, get out, good bye. yellow notes in my pants feel crunchy and discreet. College sluts love cum is getting to a crucial point…a soft cheese fully packaged has rolled down the theater floor and sits at the bottom of the stage. I read it as an offering, to honor those who came before, showing us the complex and messy blessing bodies have bestowed upon this world.
Biographies
Queenie Bon-Bon is a writer, performance artist and sex worker living and working in Narrm/melbourne.
Their work focuses on labour and the body. They have created four full length shows - which have toured in Australia, Europe and North America. Their work has been featured on locanto, backpage and in Maximum Rock and Roll and The Lifted Brow. They are a member of Australian sex worker art collective Debby Doesnt Do It For Free and are the 2020 recipient of Firstdraft’s Writers Program. You can watch their last show ‘I made my bed, you lie in it’ at https://www.deeplyleisured.com/