Cyberfeminist Timelords
MORPHS AGHAST
Featuring: Ada Lovelace, Sadie Plant, VNS Matrix, Amy Ireland, DNA Sluts, Circuit Boy, Big Daddy Mainframe , The Alpha Bar Silicon Angels, Cyberfeminist Manifesto for the 21st Century, Arthur Conan Doyle as Professor Challenger, Mycoslime
Read the full Cyberfeminist Timelords paper here.
Soundtrack to MYCO SHUFFS downloadable below.
V Barratt
Cyberfeminist Timelords trolls time via the mythical event of the cyberfeminist (un)becoming. A cast of always-already angels pass through a door drawn on a wall and travel backwards into the future to hunt down an instant, a point of beginning. On the other side—a garden of becoming—where the mechanical bird sings…
The work: an essay two ways, a hackpad asking to be re-authored, a morphing cast of uncanny ghosts from the futurepast, a fetid fungal retelling of Cyberfeminist Timelords, with vox supplied by Amy Ireland, and some lubricating slime.
NOTE: The artist and Runway Journal are committed to upholding a safe and ethical experience for audiences. Contributors to the open source text agree to be bound by Runway Journal's Code of Conduct, which upholds behaving with respect towards all people, communicating in a courteous manner, and promoting principles of reciprocity, dignity, kindness and care. Any third-party text edits that diverge from these values do not reflect the views of the artist or Runway Journal. This component of the work may not be viewable for Safari users.
Issue 46: Ghost
Guest edited by Xanthe Dobbie.
This issue features new commissions from:
Cyberfeminist Timelords
MORPHS AGHAST
Featuring: Ada Lovelace, Sadie Plant, VNS Matrix, Amy Ireland, DNA Sluts, Circuit Boy, Big Daddy Mainframe , The Alpha Bar Silicon Angels, Cyberfeminist Manifesto for the 21st Century, Arthur Conan Doyle as Professor Challenger, Mycoslime
Read the full Cyberfeminist Timelords paper here.
Soundtrack to MYCO SHUFFS downloadable below.
V Barratt
Cyberfeminist Timelords trolls time via the mythical event of the cyberfeminist (un)becoming. A cast of always-already angels pass through a door drawn on a wall and travel backwards into the future to hunt down an instant, a point of beginning. On the other side—a garden of becoming—where the mechanical bird sings…
The work: an essay two ways, a hackpad asking to be re-authored, a morphing cast of uncanny ghosts from the futurepast, a fetid fungal retelling of Cyberfeminist Timelords, with vox supplied by Amy Ireland, and some lubricating slime.
NOTE: The artist and Runway Journal are committed to upholding a safe and ethical experience for audiences. Contributors to the open source text agree to be bound by Runway Journal's Code of Conduct, which upholds behaving with respect towards all people, communicating in a courteous manner, and promoting principles of reciprocity, dignity, kindness and care. Any third-party text edits that diverge from these values do not reflect the views of the artist or Runway Journal. This component of the work may not be viewable for Safari users.
Runway Journal acknowledges the custodians of the nations our digital platform reaches. We extend this acknowledgement to all First Nations artists, writers and audiences.
Runway Journal is assisted by the Australian Government through the Australia Council, its arts funding and advisory body.
Runway Journal receives project support from the NSW Government through Create NSW.
Runway Journal acknowledges the custodians of the nations our digital platform reaches. We extend this acknowledgement to all First Nations artists, writers and audiences.
Runway Journal is assisted by the Australian Government through the Australia Council, its arts funding and advisory body.
Runway Journal receives project support from the NSW Government through Create NSW.