In response to Floating Life (Clara Law, 1996)
Hanna Tai explores how photography, video, sound and sculpture can be used to make ordinary experience seem unfamiliar. Often using humour, she unpicks her chosen media in order to understand its material and durational properties and to reveal something new about the way we see things.
Runway Journal acknowledges the custodians of the nations our digital platform reaches.
We extend this acknowledgment to our First Nations writers, artists and audiences.
Runway Journal is produced by a voluntary board and pay our contributors above industry rates. If you have found some delight in this content, please consider a one-time or recurring monthly donation.
Runway is supported by
Runway Journal is produced by a voluntary board and pay our contributors above industry rates. If you have found some delight in this content, please consider a one-time or recurring monthly donation.
Runway Journal acknowledges the custodians of the nations our digital platform reaches.
We extend this acknowledgment to our First Nations writers, artists and audiences.
Runway is supported by