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Denise Thwaites is a curator, writer and theorist specializing in contemporary digital arts. Her transdisciplinary research experiments with value frameworks, especially as they are re-imagined through creative engagements with emergent technologies. Denise is Assistant Professor in Digital Arts and Humanities and member of the Centre for Creative and Cultural Research at the University of Canberra. Her work has been published in Cordite Poetry Review, Meniscus Literary Journal, Artlink, Culture, Theory and Critique, Australian and New Zealand Journal of Art, Derrida Today, by Sherman Contemporary Art Foundation and the Museum of Contemporary Art Australia. She has also led and co-led curatorial projects for MoneyLab (Institute of Network Cultures, Amsterdam), Critical Animals (Newcastle), New Beginnings Refugee Culture and Arts Festival (Sydney), Firstdraft (Sydney) and Next Wave Festival (Melbourne).
A ‘pataphysical diagram mapping the neural, technological, and eco-logical circuits opened by affective encounters with two dissimilar creative artifacts.
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Denise Thwaites is a curator, writer and theorist specializing in contemporary digital arts. Her transdisciplinary research experiments with value frameworks, especially as they are re-imagined through creative engagements with emergent technologies. Denise is Assistant Professor in Digital Arts and Humanities and member of the Centre for Creative and Cultural Research at the University of Canberra. Her work has been published in Cordite Poetry Review, Meniscus Literary Journal, Artlink, Culture, Theory and Critique, Australian and New Zealand Journal of Art, Derrida Today, by Sherman Contemporary Art Foundation and the Museum of Contemporary Art Australia. She has also led and co-led curatorial projects for MoneyLab (Institute of Network Cultures, Amsterdam), Critical Animals (Newcastle), New Beginnings Refugee Culture and Arts Festival (Sydney), Firstdraft (Sydney) and Next Wave Festival (Melbourne).
A ‘pataphysical diagram mapping the neural, technological, and eco-logical circuits opened by affective encounters with two dissimilar creative artifacts.
Runway Journal acknowledges the custodians of the nations our digital platform reaches. We extend this acknowledgement to all First Nations artists, writers and audiences.
Runway Journal is assisted by the Australian Government through the Australia Council, its arts funding and advisory body.
Runway Journal receives project support from the NSW Government through Create NSW.
Runway Journal acknowledges the custodians of the nations our digital platform reaches. We extend this acknowledgement to all First Nations artists, writers and audiences.
Runway Journal is assisted by the Australian Government through the Australia Council, its arts funding and advisory body.
Runway Journal receives project support from the NSW Government through Create NSW.
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