Whether exotic or dangerous, romantic or political, islands conjure up diverse associations. They can be a place of refuge or a site of disorder and chaos. An island is in many ways its own world, a status that inevitably piques the interest of the adventurous.
It is perhaps the literary imagination that has been most in thrall of the island. Early examples include Homer’s depiction of Odysseus’ ten-year journey home to Ithaca via various island sites of both magic and terror. Jonathan Swift’s Gulliver’s Travels sends the protagonist on a series of journeys to various imaginary islands where he meets and interacts with curious societies that confound and enlighten him. Thomas More’s Utopia depicts a community that inhabits an isthmus which they physically detach from the mainland in order to form a progressive island society.…read more
What is the darkness in our national character that means we do not extend good faith and protection to those that seek asylum in Australia? Alex Seton’s 2014 Adelaide Biennial work Someone died trying to have a life like mine asks this question, probing our island minds.
An investigation into the historical forces that divided cinema and the gallery, and a glimpse of a future reconciliation.
Part travel journal, part art review, this article reflects on preconceived ideas of Iceland and how they were transformed during a stay at the SÍM artist residency in Reykjavik.
A meandering essay that navigates the metaphoric resonances of Deb Mansfield’s 2013 series The Armchair Traveller through cartographic gestures and speculative travelogues.
At the Contingent Movements Symposium, the dissolution of the circumscribed island object comes to represent a more general planetary unbinding.
Dreaming of Fata Morgana (2013) is a series of photographs by Sydney-based artist Tanya Dyhin that draws on the representation of the island as an illusionary place to explore ideas of perception and experience.
The act of leaving propels one into unknown territory with a vision of the present as nothing more than constantly becoming the past – a past charged with the time of now, Jetzeit.
This article draws a connection between the metaphorical island and the expanded contemporary artist’s studio.
Deadline midnight 19 November, 2018 FILL OUT THE FORM HERE Runway Australian Experimental Art is an online journal produced by The Invisible Inc., an artist run initiative that aims to promote the activities of Australian artists, writers, and curators both nationally and abroad. Read more about Runway here. We are a diverse team (check …
Natasha Matila-Smith Super Pure (2018) **Proposals for content extended until 29 August 2018** ****To apply please use this form**** We are now open for applications from artists and writers for Runway #38 SPECTACLE. Aotearoa based artist and writer Natasha Matila-Smith will be guest editing the issue Spectacle, namably the spectacle of consumption …
DEADLINE 12AM SUN 13TH MAY WHAT: Runway Australian Experimental Art is an online journal produced by The Invisible Inc., an artist run initiative that aims to promote the activities of Australian artists, writers, and curators both nationally and abroad. Runway is positioned as an Australian experimental art journal, and increasingly our content explores …
This project has been assisted by the Australian Government through the Australia Council, its arts funding and advisory body.