The loneliness of the long distance artist.
He’s going the distance!
He’s going for speed!
He’s all alone in his time of need!
Everyone’s a curator now.
I remember watching a film with Jeff Goldblum in it where he said that Albert Einstein wore the same outfit everyday so he didn’t have to think about what to wear, as it was a waste of time.
I wish I were fitter, I wish I was thinner and better looking. I only wear the same clothes because they are comfortable. My cupboard is full of clothes about 1 size to small and I tell myself I will lose weight. And then I eat well and to reward myself I go to Messina and have some gelato but it’s so good and has nuts and fruit in it so is vaguely healthy. Even chocolate is made from a nut.
This essay explores the conceptual trap of Outsider Art, and documents the emergence of agencies that support the practices of artists marginalised by artistic and social agendas. Tito and Cavallaro reexamine the life and work of Henry Darger, and compare his experiences to those of contemporary artists John Demos (AUS), Kevin Meagher (AUS) and Judith Scott (USA).
A discussion of the cultural consequences of restructuring the art world as a neoliberal business activity.
This was not originally an art project, these were real letters, sent between two parties. One party said “I love you” sincerely the other said “I could never grow to love you” sincerely. Since these opposite love feelings were revealed, their courtship ended and these letters started. They wrote to each other for years, here are a few of their letters.
Something is brewing; a mystical concoction of rituals, sorcery and science spearheaded by a group of Australian alchemists. Milton examines the influence of the Occult on the ritualised practices of 2015 Artspace artists-in-residence Hany Armanious, Nick Dorey, Mikala Dwyer and Clare Milledge.
What happens with objects that sit outside categorical definition? This picture essay examines the material things that surround us by positioning them outside of their usual place within an ontological hierarchy. In an attempt to consider a new object ontology, Jana Hawkins-Andersen casts her gaze onto that which is overlooked and under examined in the material world.
A heckle at the hierarchical position of the artist over the audience.
Ceramicist Steve Harrison explains his philosophy of ‘living gently’ and how this defines his approach to art-making and life, all within 50km of home.
A look at the experimental approaches of Australian outsider artist Terry Williams, in a review of his Arts Project show (curated by Ricky Swallow) at White Columns Gallery in New York City.
An examination of the role that language plays in reinforcing colonial interpretations of Indigenous art practice. Lopesi looks at three contemporary curators – Léuli Eshraghi, Stephen Gilchrist and Kolokesa Māhina-Tuai – each of whom use language as a powerful tool for decolonialising art worlds and art work critiques.
**Proposals for content due 30 November 2017** **APPLY HERE: https://form.jotform.co/73186243243858** In an exciting collaboration, Issue #36 of Runway Australian Experimental Art Magazine will be presented in association with the 2018 Keir Choreographic Awards, presented by Carriageworks, Dancehouse and the Keir Foundation. Guest edited by Lizzie Thomson, the issue will be titled DANCE and will function as …
**PROPOSALS DUE SUNDAY 22 OCTOBER** Runway is looking for a NSW based arts professional to attend Hobiennale (3-12 November – coverage dates negotiable). We want you to be our eyes and ears in Hobart, and so we are offering offering a travel bursary in return for your response and review of exhibitions and events at this key Tasmanian event. We’re …
Runway and Critical Animals are offering two travel bursaries to support emerging writers from the Hunter Region and Western Sydney to attend this year’s This is Not Art (TiNA) in Newcastle. You will attend the festival (28 September – 1 October) and report on the event for Runway’s online platform, Conversations. The bursary includes: $500 …
This project has been assisted by the Australian Government through the Australia Council, its arts funding and advisory body.