Issue 30: Ecologies
To begin, I have no inclination to either write this in the third person or have someone else speak for me. The artist bio belongs to the bureaucratic dissemination of the arts, via institutions and galleries linked to the machinations of corporate capital underpinning culture, which must either directly justify itself as economically rationalisable or go through the university system, which is increasingly and ultimately subject to the same checks and balances. Ultimately the discussion of this is the art, as was it ever: portraits of the wealthy. This is what I make/do.
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