An examination of the Waterloo Public Housing Action Group’s role in centring Indigenous perspectives in the resistance against the largest urban renewal project in the southern hemisphere through their campaign and space in the Waterloo Housing Estate.

What happens when art is placeless and ‘translocal’? This article examines various artistic practices occurring nomadically, outside of institutions, and through a social practice framework.

A look at the space of Virtual Reality as an extension of white male patriarchy, and an interrogation of how people are using gender and race to shape, or ‘quare,’ this space.

Chloe Watson interviews artist-researcher Dawn-Joy Leong about work that explores neurodiverse and autistic experiences of space. What are her personal, sensory experiences of traversing the city? How does this impact her artistic practice?

Mariam Arcilla interviews Quandamooka artist Megan Cope about spatial experiences from her perspective of split heritage and the way she maps cultural constructs of identity and environment.

Tian Zhang writes from the perspective of an emerging Asian-Australian curator, examining culturally-specific festivals and exhibitions that are not organised by people of that culture.

A look at the Melbourne arts scene to highlight institutional Whiteness in the visual arts, and draw attention to the discourse of diversity and inclusion power structures.

Lucy Ainsworth interviews James Nguyen about his current work and research on themes of ownership of land and occupation of space within the context of colonisation and migration.

Amy McMurtie explores sites of resistance and the effect of gentrification on queer performance culture in Sydney and Melbourne.

Andrew Brooks looks at the engagement with Dale Harding’s installation, Know them in correct judgement, to reconfigure histories by forming a counter-archive that breaks down structures of settler colonialism.